REF NO : B72310

Attributed to Maison Beurdeley

A Fine Louis XVI Style Lacquer Mounted Secretaire Cabinet

France, Circa 1890


A Fine Louis XVI Style Parquetry, Gilt-Bronze and Lacquer Mounted Petit Secretaire Cabinet, Attributed to Maison Beurdeley. Stamped to the reverse of...


Height: 101 cm (40 in)
Width: 65 cm (26 in)
Depth: 32 cm (13 in)
REF NO : B72310


A Fine Louis XVI Style Parquetry, Gilt-Bronze and Lacquer Mounted Petit Secretaire Cabinet, Attributed to Maison Beurdeley.

Stamped to the reverse of the bronze mounts to the bottom columns ‘H.B. 47’, stamped to the reverse of the bronze mounts to the top of the columns ‘PZ 42′. Stamped to the reverse of the bronze frames to the doors ’38’.

This fine Secrétaire cabinet has a gilt-bronze three quarter gallery inset with a grey marble top above a lambrequin frieze and a parquetry inlaid case, inset with fine Japanese lacquer panels within gilt-bronze borders. The cabinet has a fall front opening to a writing slope and a fitted interior with small drawers and compartments.

French, Circa 1890.

This cabinet attributed to Beurdeley, reprises a celebrated example with Sèvres porcelain plaques, in place of the lacquer here, which is in the Jones Collection, bequeathed to the South Kensington Museum (now the V&A) by Mr. John Jones after his death in 1882. In the ‘Handbook of the Jones Collection’ published the following year, it is illustrated and described as ‘Marquetrie cabinet with Sèvres plaques inlaid No. 1046’.



Circa 1890




Parquetry and Gilt-Bronze


Stamped to the reverse of the bronze mounts to the bottom columns 'H.B. 47'

Attributed to Maison Beurdeley

The Beurdeley family were a flourishing dynasty of three generations of fine quality cabinetmakers working from 1818 to 1895. The firm was particularly well known for its exceptional metalwork, most commonly basing their designs on important eighteenth century examples. Their mercurial gilding and hand chasing are often of such a high standard that it is difficult to distinguish them from late eighteenth century work.

The founder of the dynasty Jean Beurdeley (1772-1853) was a Burgundian craftsman conscripted into the Napoleonic army. After hostilities ended in 1815 he settled in Paris opening a shop for curiosités and working as a latter day marchand mercier. Initially based on the rue Saint-Honoré, in 1840 Beurdeley moved to the famous Hanover Pavilion situated on the corner of rue Louis-Legrand and boulevard des Italiens, and the business was run by his only surviving son, Louis-Auguste-Alfred (1808-1882). This successful business, which had numerous official commissions including in 1853 the marriage coffer for the Empress Eugénie, was continued by Louis’ son, Alfred-Emmanuel-Louis (1847-1919).

The business continued in its traditional style with very few variations until 1895. Alfred, along with the most famous artists of the period, took part in the 1878 Paris Exposition Universelle where he won the gold medal. Following on from this glory, he went on to open a shop in New York.

His participation in the 1883 Amsterdam Universal Exhibition drew even further attention to his work, and possibly as a result he was awarded the Ordre National de la Légion d’Honneur, France’s highest official mark of recognition.

The incredible quality of each generation’s work ranked the firm of Beurdeley as pre-eminent amongst Parisian makers of meubles de luxe.

Ledoux – Lebard, Denise. Les Ébénistes du XIXe siècle, Les Editions de L’Amateur, (Paris), 1984; pp. 75-82.

Mestdagh, Camille & Lécoules, Pierre. L’Ameublement d’Art Français, 1850-1900, Les Editions de L’Amateur, (Paris), 2010; pp.262-276.

Meyer, Jonathan. Great Exhibitions – London, New York, Paris, Philadelphia, 1851-1900, Antique Collectors’ Club, (Woodbridge, UK), 1984 ; pps. 175, 247, 269, 270, 290, 298.



Handbook of the Jones Collection in the South Kensington Museum: With Portrait and Woodcuts, Published for the Committee of Council on Education by Chapman and Hall, London, 1883, No. 1046. Ill. 39 & p. 60.


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