REF NO : B77323

سيفر (ستايل)

A Pair of Large Sèvres-Style Porcelain Vases and Covers

فرنسا، حوالي عام 1900

£95,000

A Pair of Large Gilt-Bronze Mounted Sèvres-Style Cobalt Blue Ground Porcelain Vases and Covers. Signed 'H. Desprez'. Each of baluster form. One...

ابعاد

Height: 112 cm (45 in)
Width: 53 cm (21 in)
العمق: 40 سم (16 بوصة)
REF NO : B77323

وصف

A Pair of Large Gilt-Bronze Mounted Sèvres-Style Cobalt Blue Ground Porcelain Vases and Covers.

Signed ‘H. Desprez’.

Each of baluster form. One painted to the front with Louis XV and Maurice de Saxe at the Battle of Fontenoy. The other painted to the front with Louis XV and Maurice de Saxe at the Battle of Lauffeld. The reverse of each finely painted with a chateau in a parkland vista.

The lids with pomegranate finials above gilt-embossed crowns and crossed laurel branches symbolising victory and power. The necks and foot gilt-embossed with the Royal coats of arms of Louis XV of France against a cobalt blue ground. The bodies with gilt-bronze laurel swagged handles above parcel gilt detailing. Each on a circular gilt-bronze foot, cast with laurel and gilt patera.

فرنسا، حوالي عام 1890

These vases are a celebration of King Louis XV of France. They are finely painted with scenes from two of Louis’ triumphant victories in the War of Austrian Succession.

Louis XV was fighting George II, who as both King of Great Britain and Elector of Hanover, supported the right of Maria Theresa, as a woman, to succeed her father, Emperor Charles VI, as ruler of the Habsburg monarchy. France, and others, saw this an opportunity to challenge Habsburg power.

The conflict raged between 1740 and 1748, with the outcome that France conquered most of the Austrian Netherlands, and Louis XV declared himself victorious. Louis XV had left Versailles to lead his armies in the Austrian Netherlands in person and the paintings to these vases celebrate his victories at the Battle of Fontenoy (1745) and the Battle of Lauffeld (1747).

At the Battle of Fontenoy, Louis XV was victorious over the British led by the Duke of Cumberland. Louis XV is shown on a white charger pointing towards the battlefield. Besides him, on a chestnut horse is Maurice, Count of Saxony, Marshall of France. The composition is inspired, with some artistic licence, from the celebrated painting of the Battle of Fontenoy by Pierre L’Enfant (1704–1787).

Pierre L’Enfant (1704–1787), 'Battle of Fontenoy 1745'

Pierre L’Enfant (1704–1787), ‘Battle of Fontenoy 1745’. Wikimedia Commons, Public Domain.

At the Battle of Lauffeld, King Louis XV was again victorious over a larger force led by the Duke of Cumberland. Louis XV is depicted similarly, showing his leadership by pointing towards the battlefield as he sits astride a white horse, with Maurice de Saxe beside him. The composition of the figures is drawn from a celebrated painting of the battle of Lauffeld by Louis Charles Auguste Couder (1789-1873). Both original paintings are displayed in the magnificent Gallery of the Battles at the Palace of Versailles.

Auguste Couder: Bataille de Lawfeld

Auguste Couder (1789-1873), ‘Bataille de Lawfeld’ 1836, Wikimedia Commons, Public Domain.

The depiction of Louis XV military triumphs is befitting for these Sèvres-Style vases which embody the glory of France and were produced as historicist works during the late nineteenth century revival for ‘tous les Louis’. In choosing to paint these battle scenes for their French historical significance, the artist H. Desprez also, with great care, finds symmetry in pairing two complimentary scenes of Louis XV and Maurice de Saxe, and succeeds in making these vases a magnificent and true pair.

تاريخ

حوالي عام 1900

أصل

فرنسا

متوسط

البرونز المذهب والخزف

توقيع

Signed H. Desprez

سيفر (ستايل)

تأسس مصنع سيفر للخزف إلى الشرق من باريس في القصر الملكي المهجور في فينسين ، في أواخر 1739-40. وانتقل إلى قرية سيفر ، غرب باريس في عام 1756 ، في طريقه إلى قصر الملك لويس الخامس عشر في فرساي.

هنا كان أيضا مجاورا لقصر عشيقة لويس مدام دي بومبادور الخاص في بلفيو. كانت سعيدة بالموقع الجديد للمصنع - لأنها كانت تعرف أنها يمكن أن تغري لويس بالاهتمام به بشكل أكبر عندما يكون بالقرب من مساكنهم. في الواقع ، أصبح الملك راعيا متحمسا للمصنع لدرجة أنه عندما واجه صعوبات مالية ، اشترى المساهمين وأصبح المالك الوحيد. ظل المصنع مشروعا ملكيا حتى الثورة الفرنسية ، عندما تم تأميمه.

أدت شعبية أسلوب لويس الخامس عشر خلال القرن التاسع عشر إلى قيام عدد من الشركات في باريس وحولها بإنشاء خزف استثنائي على طراز سيفر يعتمد على نماذج القرن الثامن عشر وبنفس الجودة الاستثنائية. غالبا ما كانت هذه القطع ذات جودة وحجم المعرض ، وتم رسمها بدقة من قبل أفضل رسامي الاستوديو في ذلك الوقت مثل روبرت وديبريز وبويتفين.

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