PAUL SORMANI (1817 - 1877)
PAUL SORMANI (1817 - 1877)
A Fine Pair of Transitional Style Gilt-Bronze Mounted Parquetry Commodes
FRANCE, Circa 1870
REF No. B70160
Stamped beneath the marble top to one commode ‘SORMANI’ also stamped on the lockplate ‘P. SORMANI , PARIS., 10 RUE CHARLOT’. Stamped on the back of both locks ‘B THEAU SERRURIER PARIS’, and also stamped on reverse of handle plate 'H.P.R'.
Width :111 cm | 43³/₄ in
Depth :53 cm | 20⁷/₈ in
This fine pair of commodes have shaped 'Sarrancolin Opéra' marble tops with moulded edges above guilloche banded frieze drawers and two lower drawers mounted with classical urns and rocaille. The drawers are flanked by stiles mounted with husked swags and the commodes are raised on cabriole legs with paw sabots. The commodes are illustrated by Christopher Payne in his book 'Paris Furniture: The Luxury Market of the 19th Century'; p. 181.
This distinctive transitional model of commode, is based on the designs of the famous 18th century ébéniste Charles Topino, (maître in 1773). The signature mounts of classical urns beneath swaged drapery can be found on many examples of Topino’s work. These include a commode illustrated in Pradère, Alexandre. French Furniture Makers, The Art of the Ébéniste from Louis XIV to the Revolution; p. 320, fig. 363, and illustrated in Kjellberg, Pierre. Le Mobilier Français du XVIIIème siècle, (Dijon), 1998; p.844, fig.a. A related commode by Topino can be found in the collection of the Metropolitan Museum of Art, New York, [1986.156.1 ab].
Sormani exhibited at the International Exhibitions in Paris in 1849, 1855, 1867, 1878 and 1900, and in London in 1862, winning numerous medals.
Paul Sormani established the firm in 1847 at 7, Cimetière Saint-Nicholas in Paris, moving in 1854 to 114, Rue du Temple, and in 1867 to 10, rue Charlot.
After his death in 1877 Sormani's son Paul-Charles took over the business that later moved to 134 boulevard Haussmann.
It can be difficult to date Sormani's work, as the firm produced furniture for nearly ninety years. However, when Paul Sormani died in 1877, his wife and son took over the business and from this date onwards pieces are normally signed 'Veuve Sormani & Fils'.
Mestdagh, Camille and Pierre Lécoules, L'Ameublement d'art français : 1850-1900, Editions de l'Amateur, (Paris) 2010.
Meyer, Jonathan, Great Exhibitions - London, New York, Paris, Philadelphia, 1851-1900, Antique Collectors' Club, (Woodbridge, UK), 2006.
Ledoux - Lebard, Denise, Les ébénistes du XIXe Siècle, Editions de L'Amateur (Paris), 1984. pp. 583-588.
Kjellberg, Pierre. Le Mobilier Français du XVIIIème siècle, (Dijon), 1998; p.844, fig.A.
Payne, Christopher. Paris Furniture: The Luxury Market of the 19th Century, Editions Monelle Hayot (Saint-Remy-en-l'Eau), 2018; p. 181.