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CHARLES-GUILLAUME WINCKELSEN (1812-1871) Full Bio

An Important Louis XVI Style Gilt-Bronze Mounted Cabinet

CHARLES-GUILLAUME WINCKELSEN (1812-1871) Full Bio

An Important Louis XVI Style Gilt-Bronze Mounted Cabinet

REF No. B66850

France, Circa 1860

H   105 cm | 41 in
W   150 cm | 59 in
D   54 cm | 21 in

Stamped to the back of the carcass 'CHLES. WINCKELSEN - 21 RUE ST. LOUIS - (AU MARAIS)'.

The atelier of Charles-Guillaume Winckelsen is one of the undiscovered secrets of the Second Empire exhibition period. Established at 23 Val-Sainte-Catherine, Paris in 1854, it flourished until his death in 1871. As a result of his comparatively short career very little of his work is available today.

Born in 1817, at the new dawn of the Bourbon dynasty, Winckelsen died in 1871 as the Third republic was being formed. Thus his whole philosophy of design, alongside his contemporaries, was one of maintaining the emblems of the ancien regime. In re-using motifs from the eighteenth century Winckelsen favoured the Louis XVI style without reverting to simple pastiche.

Winckelsen's bronze casting was of the highest quality, easily on a level with the celebrated Thomiere in the early years of the century. He re-created all of his moulds, never re-using or simply copying existing models.

His business was sold by his widow in July 1871 to the celebrated Henri Dasson, who thus was able to use the exquisite collection of master patterns built up by Winckelsen to great effect.

Makers Bibliography:

Ledoux-Lebard, Denise Les Ebenistes du XIX Siecle, Editions de l'Amateur (Paris), 1984, pps 635-8.

Denise Ledoux-Lebard, 'Les Ebenistes du XIX Siecle', pps 635-8.

Payne, Christopher. Paris Furniture: The Luxury Market of the 19th Century, Editions Monelle Hayot (Saint-Remy-en-l'Eau), 2018; p. 552.

Artist Biography

The atelier of Charles-Guillaume Winckelsen is one of the undiscovered secrets of the Second Empire exhibition period. Established at 23 Val-Sainte-Catherine, Paris in 1854, it flourished until his death in 1871. As a result of his comparatively short career very little of his work is available today.

Born in 1817, at the new dawn of the Bourbon dynasty, Winckelsen died in 1871 as the Third republic was being formed. Thus his whole philosophy of design, alongside his contemporaries, was one of maintaining the emblems of the ancien regime. In re-using motifs from the eighteenth century Winckelsen favoured the Louis XVI style without reverting to simple pastiche.

Winckelsen's bronze casting was of the highest quality, easily on a level with the celebrated Thomiere in the early years of the century. He re-created all of his moulds, never re-using or simply copying existing models.

His business was sold by his widow in July 1871 to the celebrated Henri Dasson, who thus was able to use the exquisite collection of master patterns built up by Winckelsen to great effect.

Makers Bibliography:

Ledoux-Lebard, Denise Les Ebenistes du XIX Siecle, Editions de l'Amateur (Paris), 1984, pps 635-8.

Literature

Denise Ledoux-Lebard, 'Les Ebenistes du XIX Siecle', pps 635-8.

Payne, Christopher. Paris Furniture: The Luxury Market of the 19th Century, Editions Monelle Hayot (Saint-Remy-en-l'Eau), 2018; p. 552.

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