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After JACQUES CAFFIERI (1678-1755) Full Bio

A Fine Louis XV Style Gilt-Bronze Cartel d'Applique

After JACQUES CAFFIERI (1678-1755) Full Bio

A Fine Louis XV Style Gilt-Bronze Cartel d'Applique

REF No. B74270

France, Circa 1870

H   122 cm | 48 in
W   50 cm | 19 in

Jacques Caffiéri (1678-1755) a sculptor famous for his works in bronze, was the son of Philippe Caffiéri (1634-1716), who emigrated from Naples to Paris at the request of Cardinal Mazarin to decorate the interiors at Versailles. He was elected to the Academe de Sainte-Luc as a sculptor, and thus created many of the original designs that were proprietary models of his foundry.

Jacques was received as a maître fondeur-ciseleur by 1715, the date of his first known work, a design for a pall for the Corporation des Fondeurs-Ciseleurs, one of the two Parisian guilds that oversaw works cast in metal

Caffieri was appointed fondeur-ciseleur des Bâtiments du Roi in 1736. Following this a large proportion of his best work as a designer and chaser in bronze was executed for commissions to the crown at Versailles, Fontainebleau, Marly, Compiègne, Choisy and the Château de La Muette. In fact he executed so much work for the crown that they were forever in his debt, still owing him money at his death

In addition to these royal commissions from his workshop in rue des Canettes came an amazing amount of work, chiefly in the shape of gilt-bronze furniture mounts used by the best ébénistes of Paris, with whom he worked closely. Little of his production was ordinary and an astonishingly large proportion of it is now famous. Caffieri also known for his production of gilt-bronze cases for clocks.

In 1740, Caffieri's wife purchased a royal privilege, which allowed the Caffieri workshop to gild bronze as well as cast it within the same workshop; ordinarily the processes were divided between two Parisian corporations, jealous of their jurisdictions, the fondeurs-ciseleurs and the ciseleurs-doreurs. This privilege further set Caffieri apart from his rivals.


Makers Bibliography:

Hans Ottomeyer/Peter Proschel, Vergoldete Bronzen I , Munich, 1986, p 137, pl. 2.10.3.

Pierre Verlet, Les Bronzes Dores Francais du XVIIIe siecle , France, 1987, p. 288, pl. 324.

H. Ottomeyer, P. Proschel et al., "Vergoldete Bronzen", Munich, 1986. vol. I, p. 117.
Tardy, "La Pendule Française des origines au Louis XV", Vol. ; p. 190, fig. 1.

Artist Biography

Jacques Caffiéri (1678-1755) a sculptor famous for his works in bronze, was the son of Philippe Caffiéri (1634-1716), who emigrated from Naples to Paris at the request of Cardinal Mazarin to decorate the interiors at Versailles. He was elected to the Academe de Sainte-Luc as a sculptor, and thus created many of the original designs that were proprietary models of his foundry.

Jacques was received as a maître fondeur-ciseleur by 1715, the date of his first known work, a design for a pall for the Corporation des Fondeurs-Ciseleurs, one of the two Parisian guilds that oversaw works cast in metal

Caffieri was appointed fondeur-ciseleur des Bâtiments du Roi in 1736. Following this a large proportion of his best work as a designer and chaser in bronze was executed for commissions to the crown at Versailles, Fontainebleau, Marly, Compiègne, Choisy and the Château de La Muette. In fact he executed so much work for the crown that they were forever in his debt, still owing him money at his death

In addition to these royal commissions from his workshop in rue des Canettes came an amazing amount of work, chiefly in the shape of gilt-bronze furniture mounts used by the best ébénistes of Paris, with whom he worked closely. Little of his production was ordinary and an astonishingly large proportion of it is now famous. Caffieri also known for his production of gilt-bronze cases for clocks.

In 1740, Caffieri's wife purchased a royal privilege, which allowed the Caffieri workshop to gild bronze as well as cast it within the same workshop; ordinarily the processes were divided between two Parisian corporations, jealous of their jurisdictions, the fondeurs-ciseleurs and the ciseleurs-doreurs. This privilege further set Caffieri apart from his rivals.


Makers Bibliography:

Hans Ottomeyer/Peter Proschel, Vergoldete Bronzen I , Munich, 1986, p 137, pl. 2.10.3.

Pierre Verlet, Les Bronzes Dores Francais du XVIIIe siecle , France, 1987, p. 288, pl. 324.

Literature

H. Ottomeyer, P. Proschel et al., "Vergoldete Bronzen", Munich, 1986. vol. I, p. 117.
Tardy, "La Pendule Française des origines au Louis XV", Vol. ; p. 190, fig. 1.

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